This logo is an example of one that successfully incorporated a visual into its name. The designer of this logo creatively and cleverly turned the top of the letter “S” and the top of the letter “d” into crab claws. I especially like that the crab claws each come from the opposite end of the logo, and even give the appearance that the logo is in the oval shape of a crab. The two claws are also pointing towards the center and make “Seafood Market” stand out clearly.
The color and type chosen for this logo also work well. The color is blue, which is the first color that comes to mind when thinking of seafood because it comes from the sea, which is blue, obviously. The font is playful and laid back, two other characteristics that come to mind when thinking of seafood. Seafood is typically most popular in beach areas and is consumed in high amounts at the beach. Typically, the beach is a place where people are relaxing, on vacation, and enjoying themselves. This type gives off the right feel, as opposed to if it was an elegant script it would make it appear to be a fancy restaurant where you would need to get dressed up.
Lastly, it works well that there is an even amount of letters on either side of the “f” in seafood which is the center of the logo. Geometrically, it makes the logo even. In sum, I think this is a very effective logo and did a nice job of incorporating a visual into its logo.





ncorporates two styles of their logo, the “Trefoil” from 1972, and the Three-Stripe brand mark made in 1996. Both logos are extremely simplistic, both in design and being one solid color, but work extremely well for the company. Both logos have a common feature, three parallel stripes.


The Nike logo, aka “The Swoosh,” is one of the simplest and most successful logos ever created. In fact, the swoosh logo is now synonymous with the Nike name, often appearing on its own.
The sans-serif typeface used compliments the logo nicely. Both the swoosh and text are very clean and simple. The harsh straight line of the text also contrast the curves of the swoosh.